Works

Photographic Works

Night landscapes, natural scenes, and captured moments that speak for themselves.

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In this section I gather my most representative photographic works, from night skies to landscapes that convey calm and energy. Each work tells a story, and together they form my way of seeing the world.

My work covers both night and daytime landscape photography, exploring light and atmosphere in different settings. With a special focus on the Mediterranean and the Balearic Islands, but also in more distant places like the Lofoten Islands, my images show lighthouses, coves, mountains, and starry skies, along with natural scenes full of contrast and calm. Each work seeks to convey an artistic and personal vision, and is part of limited editions designed for both photography lovers and collectors.

Å, the Last Village

In the winter stillness, the only sound is the creak of wood against the frozen water. Everything seems suspended: the air, the snow, the houses. As if time itself had decided to stop here.

The scene is taken in Å, the last village of the Lofoten archipelago. The rorbuer line up on wooden stilts, facing the sea and guarded by the mountain. Under the grey winter light, the red stands out as the only resistance against the black and white of the season.

Caló des Moro, Mallorca

This night landscape photograph was taken from Caló des Moro, one of the most iconic coves on the southern coast of Mallorca. Under a clear winter sky, the Orion constellation rises above the horizon, accompanied by a faint reddish haze: these are H-alpha nebulae, invisible to the naked eye, revealed thanks to the use of a specialized astronomical filter.

The scene merges the natural beauty of the Mediterranean with the precise technique of astronomical photography. Each exposure was carefully planned to preserve the true colors of the night sky and the rocky texture of the Balearic coast. In winter, these coves regain a calm that seems to belong to them by right: no tourists, no noise, just the sea, the stone, and the sky.

Cap Salines Lighthouse, witness of the sunset

Sunset at Cap Salines was one of those moments when light transforms the landscape. The clouds caught the last rays of the sun, painting the sky in warm tones while the sea remained calm.

I photographed the lighthouse from the rocky shore, letting the textures in the foreground lead the eye toward the white silhouette of the tower. The long exposure softened the movement of the sea, enhancing the sense of stillness.

Cutting Wind

The sea roared, frozen, while the cutting wind whistled relentlessly over the Arctic coast. The scene unfolded without pause, with the force of the north striking every exposed surface. There was no shelter, except for those red cabins clinging to the rock, silently enduring.

The image was captured in Hamnøy, one of the most iconic villages of the Lofoten archipelago in Norway. Snow covered the landscape with a uniform layer, while the rocks and moving water created diagonal lines leading the eye to the mountain. The choice of black and white, reserving the untouched red of the cabins, accentuates the contrast between the human and the natural.

Eye of Es Vedrà, Ibiza

At the end of April, Ibiza still breathes with the calm of the weeks before summer. On the dirt paths along the southwest cliffs, the island retains that free and somewhat wild air that many associate with its most authentic roots.

From the so-called Eye of Es Vedrà, a natural rock formation that serves as an improvised viewpoint, there is a direct view of the islet. Its silhouette stands out in the distance, illuminated by the warm light of sunset passing through a sky covered with low clouds. The foreground rock, bathed in the same orange hue, contrasts with the deep blue of the sea. The scene is suspended between mineral volumes and soft reflections, with hardly any movement in the water.

Night of Lights

While the earth sleeps, the sky awakens in a burst of light. On a cold December night, the Cap de ses Salines lighthouse witnessed one of the year’s most intense meteor showers: the Geminids. There, beneath the stellar dome, time seemed to open up to give way to a celestial choreography.

The image is composed of dozens of meteors captured over several hours, carefully aligned to show their radiant point. The lighthouse’s light, usually solitary, is enveloped by a constellation of trails crossing the sky from all angles. On the ground, vegetation and buildings remain motionless, contrasting with the activity of the firmament.

Sanitja Port, Menorca

My first night in Menorca took me to the small port of Sanitja, at the northern tip of the island. From inside an old, partially ruined fishermen’s hut, I found a direct frame to the sea: a stone opening that cuts the horizon and frames the scene.

Through that opening, a llaüt rests moored on perfectly calm waters. Its clear reflection floats beside it thanks to the total absence of wind. The illuminated stone in the foreground contrasts with the cool tones of the sky and sea, where static clouds and scattered stars alternate. The light bathing the scene comes not from any direct source, but from a distant glow, filtered from the depths of the island.

The Wishing Well

Over the stone remains, the sky pours down. During four consecutive nights, more than ten thousand photographs were captured from Pou Salat, an ancient Mallorcan well, to create this unique image: a celestial choreography where the Perseids fall like threads of light onto the earth.

The galactic center aligns vertically with the stone structure, as if the Milky Way sprang from inside the well. The meteor trails, gathered from multiple exposures, multiply that direct connection between the human and the cosmic. The scene is precise, technical, and deeply symbolic.

What Remains

What winter covers, the sea reveals: traces of life that endure. In the gaps between rock and snow, an unexpected green breaks the absolute grey of the landscape. That strip of moss seems a gesture of tenacity, as if even the Arctic needed to remember that life goes on.

In Hamnøy, everything seemed still: the red cabins, the thick sky, the snow piled on the structures. But the color was there. Not only the red of the shelter, but the green beneath the ice. A minimal note, but enough to change the reading of the scene.